Sennheiser MKH 416 vs MKH 50
Updated 21 Oct 2026
Both are RF condenser microphones from Sennheiser's MKH range and both are boom-op staples, but they do different jobs. The MKH 416 is a short shotgun (interference tube) with a narrow lobar pickup, the classic choice for exteriors and run-and-gun. The MKH 50 is a supercardioid without a long interference tube, so it sounds more natural in small rooms and interiors, where a shotgun's off-axis colouration and reflections are a problem.
Figures below are as listed on each GEARMATH item page.
Specs side by side
| Type | Short Shotgun | |
| Polar Pattern | Lobar (super-hypercardioid) | Super-cardioid |
| Frequency Response | 40–20,000 Hz | 40–20,000 Hz |
| Sensitivity | -32 dBV/Pa | -31 dBV/Pa |
| Self Noise | 13 dB-A | 12 dB-A |
| Max SPL | 130 dB | 142 dB |
| Connector | XLR-3 | XLR-3 |
| Length | 250 mm | |
| Weight | 175 g | 92 g |
Which to use
Exteriors, noisy locations, long boom distances: MKH 416. Interiors, low ceilings, reflective rooms: MKH 50. Many sound recordists carry both and swap between them depending on the set. For a wider comparison see the microphone self-noise guide.
Figures are as listed on each item's GEARMATH page, which records manufacturer specifications. Check the manufacturer before you rely on a number.
Related
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